Emerging Voices



The Emerging Voices Fellowship is a literary mentorship that aims to provide new writers who are isolated from the literary establishment with the tools, skills, and knowledge they need to launch a professional writing career.

2018 Emerging Voices Fellows & Mentors

Jubi Arriola-Headley is a first-generation American born to Bajan (Barbadian) parents in Boston, Massachusetts, where he was also raised. A VONA/Voices and Lambda Literary alumnus, Jubi lives in Fort Lauderdale, Florida, where he works as a freelance writer and nonprofit consultant. He is working on his first collection of poems, tentatively titled Demons, in which he aims to navigate the political and emotional landscape between rage and joy.

Douglas Manuel was born in Anderson, Indiana. He received a BA in creative writing from Arizona State University and an MFA from Butler University where he was the managing editor of Booth: A Journal. He is currently a Middleton and Dornsife Fellow at the University of Southern California where he is pursuing a PhD in literature and creative writing. He has been the poetry editor of Gold Line Press as well as one of the managing editors of Ricochet Editions. His work is featured on Poetry Foundation's website and has appeared or is forthcoming in Poetry Northwest, Los Angeles Review of Books, Superstition Review, Rhino, North American Review, The Chattahoochee Review, New Orleans Review, Crab Creek Review, and elsewhere. His first full-length collection of poems, Testify, was released by Red Hen Press in the spring of 2017. Douglas is mentoring Jubi Arriola-Headley.

Ron L. Dowell is a lifelong resident of the Watts and Compton areas of Los Angeles. Employed for 38 years with Los Angeles County, Ron has a unique perspective on local urban communities that, in turn, inform many of his stories. He holds two master’s degrees from California State University, Long Beach, in criminal justice and emergency services administration. Ron is working on a collection of short stories.

Tananarive Due is a screenwriter and award-winning novelist who teaches Afrofuturism and Black Horror at UCLA. She also teaches creative writing in the MFA program at Antioch University Los Angeles and for Voices of Our Nations Arts Foundation (VONA), and was the former Distinguished Visiting Scholar at Spelman College. She received a Lifetime Achievement Award in the Fine Arts from the Congressional Black Caucus and has been named to the Grio100 and Ebony Power 100. The American Book Award winner and NAACP Image Award recipient is the author of twelve novels and a civil rights memoir. Her short story collection, Ghost Summer, won a British Fantasy Award and was nominated for an NAACP Image Award. In 2013, Due and her husband/collaborator, Steven Barnes, co-wrote a short film, Danger Word, based on their YA zombie novel Devil’s Wake, which was nominated for Best Narrative Short at the BronzeLens and Pan African film festivals. Read her writing blog at www.tananarivedue.wordpress.com. Follow her on Twitter @tananarivedue. Tananarive is mentoring Ron L. Dowell.

Natalie Mislang Mann is an educator who holds a master of arts in humanities from San Francisco State University. Her writing has appeared in Angel City ReviewThe Rattling Wall, and the anthology Only Light Can do That. Natalie is currently working on a memoir based on her experiences growing up in a multi-ethnic family in the San Fernando Valley.

Myriam Gurba is a teacher, writer, and artist from Santa Maria, California. She is the author of MEAN, a nonfiction novel that is part ghost story, part true crime, and part haunting. She regularly writes about art and history for KCET. Her passions include wildflowers, compliments, and cash. Myriam is mentoring Natalie Mislang Mann.

Angela M. Sanchez is a Los Angeles native and UCLA alumna. Working at the nexus of higher education, policy, and the nonprofit sector, Angela focuses on narratives that have been typically underrepresented in children's literature. She has written and self-published a children’s book, Scruffy and the Egg, about single parenthood and homelessness. She is currently working on her first young adult novel.

Lilliam Rivera is an award-winning writer and author of The Education of Margot Sanchez, a contemporary young adult novel available now from Simon & Schuster. The novel was nominated for a 2017 Best Fiction for Young Adults by the Young Adult Library Services Association (YALSA). Named a "2017 Face to Watch" by the Los Angeles Times, Lilliam is also a 2016 Pushcart Prize winner and a 2015 Clarion alumni. Her work has appeared in Lenny Letter, Tin HouseLos Angeles Times, and USA Today, to name a few. Her second young adult novel, Dealing In Dreams, is forthcoming from Simon & Schuster in March 2019. Lilliam lives in Los Angeles. Lilliam is mentoring Angela M. Sanchez.

Francisco Uribe is a writer from Long Beach, California. He earned a bachelor’s degree in history and English from UCLA. His fiction has been published in Crab Orchard ReviewZona de Carga/Loading ZoneVerdad Magazine, and Westwind. Francisco works for a nonprofit organization where he mentors at-risk youth, and is currently working on a collection of short stories.

Michael Jaime-Becerra is from El Monte, California. He is the author of This Time Tomorrow, a novel awarded an International Latino Book Award, and Every Night Is Ladies’ Night, a story collection that received the California Book Award for a First Work of Fiction. His essays have been featured in the Los Angeles Times and on Zócalo Public Square and KCRW, while more recent work is in ZYZZYVA, Black Clock, and LAtitudes: An Angeleno’s Atlas. Michael is mentoring Francisco Uribe.


By the end of the Emerging Voices Fellowship, a writer will leave with:

  • Seven months of guidance from a professional mentor and written notes on their current writing project.
  • An author photo and bio.
  • A logline—the short summation of the project in progress.
  • A clear action plan for finishing this project.
  • Writing life, and craft tips, from notable visiting authors.
  • An editing guide from a professional copy editor.
  • Insider knowledge of publishing from agents, publishers, and editors.
  • An individualized submission guide for literary journals, agents, residencies, and fellowships.
  • Improved reading technique from a professional voice coach.
  • Public reading experience for a variety of audiences.
  • An understanding of how to be an effective workshop participant.
  • Lifetime membership in PEN Center USA.
  • An introduction to the Los Angeles literary community.


The seven-month fellowship includes:

PROFESSIONAL MENTORSHIP: Emerging Voices Mentors are carefully chosen from PEN Center USA’s membership and from professional writers based in Los Angeles. The Mentor-Fellow relationship is expected to challenge the fellow's work and compel significant creative progress. Over the course of the fellowship, Emerging Voices Fellows and Mentors should meet three times in person, and be in contact at least once a month. In these three meetings, Mentors will offer written feedback on the Emerging Voices Fellows’ work in progress. Authors who have been mentors in the past include Amelia Gray, Harryette Mullen, Chris Abani, Ramona Ausubel, Meghan Daum, Sherman Alexie, Jade Chang and J. Ryan Stradal

CLASSES AT THE UCLA EXTENSION WRITERS’ PROGRAM: Participants will attend two free courses (a 12-week writing course and a one-day workshop) at UCLA Extension, donated by the Writers’ Program. Program Manager will assist the Emerging Voices Fellows with course selection.

AUTHOR EVENINGS: Fellows will meet with visiting authors, editors, publishers and agents in a private setting to ask questions about craft. Fellows must read each visiting author's book before the evening. A schedule of Author Evenings is distributed at the first Emerging Voices orientation meeting.

MASTER CLASSES: After completing the UCLA Extension Writers' Program courses, Emerging Voices Fellows will enroll in a Master Class. The Master Class is a genre-specific workshop with a professional writer that affords fellows the opportunity to exchange feedback on their works in progress. The 2018 Master Class Instructors are Alex Espinoza (fiction and nonfiction), and F. Douglas Brown (poetry).

F. Douglas Brown of Los Angeles is the author of Zero to Three (University of Georgia Press 2014), and recipient of the 2013 Cave Canem Poetry Prize. He holds a MA in Literature and Creative Writing from San Francisco State University, teaches English at Loyola High School, and is both a Cave Canem and Kundiman fellow. Mr. Brown’s poems have appeared most recently in The Virginia Quarterly (VQR), The Bat City Review, and San Pedro River Review, and he was featured in Poets and Writers Magazine as one of their Debut Poets of 2014.
Alex Espinoza was born in Tijuana, Mexico and earned an MFA from UC-Irvine’s Program in Writing. His first novel, Still Water Saints was published by Random House in 2007 and was released simultaneously in Spanish under the title Los Santos de Agua Mansa, California. Random House also published his second novel The Five Acts of Diego León in 2013. Alex has written for the New York Times Sunday Magazine, the Los Angeles Times, Huizache, The Southern California Review, the American Book Review, the Virginia Quarterly Review, American Short Fiction, and NPR’s All Things Considered.
VOLUNTEER PROJECT: All Emerging Voices Fellows are expected to complete a 25-hour volunteer project that is relevant to the literary community. The 2017 Fellows collaborated on projects with 826LA, DSTLA Arts, and POPS the Club.

VOICE INSTRUCTION CLASS: The Fellowship will provide a one-day workshop with Dave Thomas, a professional voice actor. The Emerging Voices Fellows will read their work in a recording studio and receive instruction on reading their work publicly.

PUBLIC READINGS: Fellows will participate in three public readings, The Welcome Party, Tongue & Groove Salon, and the Final Reading. Fellows have read in various venues and events including the Los Angeles Times Festival of Books, Silver Lake Jubilee, Skylight Bookstore, The Standard, Downtown LA, and Hotel Café. The fellowship culminates in a Final Reading showcasing the progress each fellow has made in his or her work.

STIPEND: The fellowship includes a $1,000 stipend, given in $500 increments.


The Emerging Voices Fellowship runs from January to July. Participants need not be published, but the fellowship is directed toward poets and writers of fiction and creative nonfiction with clear ideas of what they hope to accomplish through their writing.

The application period for 2019 will open May 1, 2018.


2017 Fellows and Mentors

Soleil David was born and raised in the Philippines and now lives in Los Angeles. She graduated with high distinction from the University of California, Berkeley. She is a recipient of the Julia Keith Shrout Short Story Prize, andher poetry and prose have been published in Our Own Voice, The Philippine Daily Inquirer, Pittsburgh Poetry Review, and the Asian American Writers’ Workshop anthology The Margins. She is working on a collection of poems.

Ashaki M. Jackson is an applied social psychologist, program evaluator, and poet who works with youth through research, evaluation, and creative writing mentoring. She is a Cave Canem and VONA alumna who serves on the board of VIDA: Women In Literary Arts. She is also co-founder of Women Who Submit. Her work appears in CURA and Prairie Schooner, among other publications. Author of two chapter-length collections—Surveillance (Writ Large Press) and Language Lesson (MIEL)—Jackson earned her creative writing MFA from Antioch University Los Angeles and a psychology doctorate from Claremont Graduate University. She lives in Los Angeles, California. Ashaki is mentoring Soleil David.

Peter H.Z. Hsu was born in Taipei, Taiwan, and raised in the San Gabriel Valley. He attended the University of California, Los Angeles, where he received a bachelor’s degree in English literature, and California State University, Los Angeles, where he earned a master’s degree in psychology. His fiction debuted in March 2016 in The Margins and is included in the Fall 2016 issue of Pinball. Peter is currently working on a short story collection.

J. Ryan Stradal is the author of the New York Times bestselling novel Kitchens of the Great Midwest, which has been translated into 11 languages, optioned for film, and was the winner of the 2016 ABA Indie’s Choice Award for Best Adult Debut Novel, the 2016 Southern California Independent Booksellers Association Fiction Award, and the 2016 Midwest Independent Booksellers Choice Award for Fiction. Born and raised in Minnesota, he now lives in Los Angeles, where he is an editor-at-large at Unnamed Press, fiction editor at TASTE Magazine, and advisory board member at 826LA. He is at work on another novel set in his home state. J. Ryan is mentoring Peter H.Z. Hsu.

Kirin Khan was raised in Albuquerque, New Mexico, and currently lives in Oakland, California. A Senior Analyst for YouGov, she has a bachelor’s degree in economics from Mills College and a post-baccalaureate in math from Smith College. Kirin is a 2016 VONA Voices alum and an upcoming 2017 Grotto Fellow. She is published in Uproot, sPARKLE & bLINK, and 7x7.LA. Kirin is currently working on her first novel.

Jade Chang has worked as an arts and culture journalist and editor for publications like the BBC, Metropolis, Glamour, and The Los Angeles Times Magazine. She was recently an editor at Goodreads. Jade is the recipient of a Sundance Arts Journalist fellowship, the AIGA/Winterhouse Design Criticism Award, and a Squaw Valley Writers Workshop scholarship. Her debut novel, The Wangs vs. the World (HMH) has been named a New York Times Editors’ Choice and was one of Buzzfeed’s 24 Best Books of 2016. The Wangs will be published in 11 countries and NPR said this: “Her book is unrelentingly fun, but it is also raw and profane—a story of fierce pride, fierce anger, and even fiercer love.” Jade is mentoring Kirin Khan.

Chinyere Nwodim was raised in Baltimore, Maryland, and attended Johns Hopkins University where she received a bachelor’s degree in biology and history of science. In addition to writing, she works in development at a regional community health center serving low-income populations in Los Angeles and Orange County. Chinyere currently lives in Los Angeles and is working on a short story collection.

Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of the novel Elsewhere, California, and the short story collection Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction. Her work has appeared in The Paris Review, Callaloo, The Iowa Review, and Huizache, among others. Born and raised in and around Los Angeles, she is a professor of English at the University of Southern California. Dana is mentoring Chinyere Nwodim.

Jessica Shoemaker was raised in Torrance, California, and earned a bachelor’s degree in cultural anthropology from University of California, Santa Barbara. She now lives in San Pedro, California, and teaches middle school. Her fiction has appeared in Blue Skirt Productions, Fiction Southeast, and Lunch Ticket. Jessica is working on a collection of short stories.

Amelia Gray is the author of four books: AM/PM; Museum of the Weird; THREATS; and Gutshot. Her fiction and essays have appeared in The New Yorker, The New York Times, The Wall Street Journal, Tin House, and VICE. She is the winner of the New York Public Library Young Lions Fiction Award, FC2’s Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award for Fiction. She lives in Los Angeles. Amelia is mentoring Jessica Shoemaker.

Photographs of Emerging Voices Fellows by Bill Kennedy.

2016 Fellows and Mentors

Marnie Goodfriend grew up in Stamford, Connecticut, and earned a Bachelor of Fine Arts in photography from New York University’s Tisch School of the Arts. She currently lives in Los Angeles, where she’s a graphic designer, a sexual assault activist, and a media consultant. In 2014, her poetry was published in here/there:poetry magazine. Marnie is working on her first memoir titled Birth Marks.

Claire Bidwell Smith is a therapist specializing in grief and the author of two books of nonfiction: The Rules of Inheritance and After This: When Life is Over Where Do We Go? both published by Penguin. The Rules of Inheritance, a coming of age memoir about grief, was a Books for a Better Life nominee, a Barnes and Noble Discover Pick, has been published in 17 countries, and is currently being adapted for film. Claire has a bachelor’s degree from The New School University, and a master’s degree in clinical psychology from Antioch University. She teaches numerous workshops around the country and has written for numerous publications including The New York Times, The Huffington Post, Salon, Slate, Chicago Public Radio, The Guardian, Psychology Today, Yoga Journal, and Black Book Magazine. Claire currently works in private practice in Los Angeles. Claire is mentoring Marnie Goodfriend.

Jian Huang’s parents brought her to the United States from Shanghai, China, when she was six years old. She grew up in South Los Angeles and earned her bachelor’s degree in art history from the University of Southern California. She has worked for a number of social service organizations, including the LA Conservation Corps, which provides college scholarships and job training to underserved youth. Jian is working on her first collection of essays, in which she attempts to navigate the ideas of place and belonging.

Patrick O’Neil is the author of the memoir Gun, Needle, Spoon (Dzanc Books). His writing has appeared in numerous publications, including Juxtapoz, Salon, The Weeklings, The Nervous Breakdown, and Razorcake. He is a regular contributor to AfterPartyMagazine, has been nominated twice for Best of the Net, and is a contributing editor for Sensitive Skin Magazine. Patrick holds an MFA in creative writing from Antioch University, and teaches in AULA’s Inspiration2Publication program, as well as at Los Angeles Valley College. He recently relocated from the glittery sleaze of Hollywood to live in L.A.’s monument to broken dreams, the über hip downtown district, with his girlfriend and two giant Maine Coons. For more information, please visit: patrick-oneil.com. Patrick is mentoring Jian Huang.

Wendy Labinger was raised in Southern California. She received a bachelor’s degree in education from the University of Iowa and her master’s in deaf education from Gallaudet University in Washington, D.C. She has taught English as a second language for 20 years. Wendy's poems have been published in Potpourri and Sheila-Na-Gig. She lives in Los Angeles and is working on a collection of poems titled scatters me into the night.

Alicia Partnoy is a survivor of the secret detention camps in Argentina, where about 30,000 people were said to have “disappeared”. Best known for The Little School: Tales of Disappearance and Survival, Partnoy also published the poetry collections Flowering Fires/Fuegos florales (recipient of the First Settlement House American Poetry Prize), and Little Low Flying/Volando bajito, both translated by Gail Wronsky. Poems from her Revenge of the Apple/Venganza de la manzana were printed on posters, and distributed by Poetry in Motion, a project of the Poetry Society of America, within the public transportation system in New York, Dallas, and Washington D.C. Alicia’s poetry has been translated into several languages, and her most recent translations are Gail Wronsky’s poetry collection So Quick Bright Things/Tan pronto las cosas, and Kate Gale’s opera libretto Río de Sangre. Partnoy edited You Can't Drown the Fire: Latin American Women Writing in Exile, and co-edited Chicana/Latina Studies: The Journal of Mujeres Activas en Letras y Cambio Social. Her work has been a Pushcart Foundation Writer's Choice Selection, and a London Times bestseller. A former Vice-Chair of Amnesty International, Partnoy teaches at Loyola Marymount University. She is also a founding member of Proyecto VOS-Voices of Survivors, an organization that brings survivors of state-sponsored violence to lecture at U.S. universities. Alicia is mentoring Wendy Labinger.

Natalie Lima was born in Miami and raised in Nevada and Florida. She attended Northwestern University and received a bachelor's degree in radio/television/film and international studies. In addition to writing, she currently works in college admissions, and volunteers for Minds Matter LA, a nonprofit college prep program serving accomplished high school students from low-income families. Natalie is working on a short story collection titled Smash.

Mike Padilla is a native Californian in love with his state and its inhabitants, who inspire his stories. He is the author of the short story collection Hard Language and the novel The Girls from the Revolutionary Cantina. His characters run the gamut of personalities, from cholos to movie stars, from elderly comadres, to party-seeking club rats. Padilla was born in Oakland, California, and grew up in neighboring San Leandro. He has received numerous awards, including the UC Irvine Chicano/Latino Literary Award and an Artist Fellowship from the California Arts Council. Mike is mentoring Natalie Lima.

Chelsea Sutton was raised in the suburbs of Riverside County, California. She earned her bachelor’s degree in literature from the College of Creative Studies at the University of California, Santa Barbara. Chelsea’s fiction has been published in Spectrum, Catalyst, Bourbon Penn, and other online publications. She was the winner of NYC Midnight’s Flash Fiction Contest in 2011, and her plays have been produced and developed by Rogue Artists Ensemble, Skylight Theatre Company, and many others. Chelsea is working on a collection of short stories titled Curious Monsters.

Carmiel Banasky is the author of the novel The Suicide of Claire Bishop (Dzanc, 2015), which Publishers Weekly calls "an intellectual tour de force." Her work has appeared in Glimmer Train, American Short Fiction, Slice, Guernica, PEN America, The Rumpus, and NPR, among other places. She earned her MFA from Hunter College, where she also taught Creative Writing. She is the recipient of awards and fellowships from Bread Loaf, Ucross, Ragdale, Artist Trust, I-Park, and other foundations. After four years on the road at writing residencies, she now teaches in Los Angeles. She is from Portland, Oregon. Carmiel is mentoring Chelsea Sutton.

Photographs of Emerging Voices Fellows by Casey Curry.


People ineligible for the Emerging Voices Fellowship:

  • Those who have an M.A., M.F.A., or Ph.D. in Creative Writing.
  • Students currently enrolled in undergraduate or graduate degree programs.
  • Those who are Professional PEN Center USA members.
  • Writers who have published one or more books through major publishing houses, university presses, or established presses.
  • Current professional magazine/newspaper feature writers or editors.
  • Writers who are widely published in top tier literary journals and/or magazines.
  • Anyone under the age of 21.

Emerging Voices is a rigorous fellowship based in Los Angeles with weekly meetings and an intense reading and writing schedule. With this in mind, participants must be willing and able to make an enthusiastic commitment to the fellowship and to their involvement as members of a group. If you are not a resident of Los Angeles and you are awarded the fellowship you will need to relocate for the seven-month period. Housing is not provided.

History of the Emerging Voices Fellowship

The Emerging Voices Fellowship originated as a mentorship project. The project grew out of PEN Center USA’s forum “Writing the Immigrant Experience,” held at the Los Angeles Central Library in March 1994, which explored the issues and challenges faced by first and second generation immigrant writers. It was evident from the forum that many of the culturally diverse communities of writers in Southern California were often isolated from the literary establishment. In the fall of 1996, PEN Center USA initiated Emerging Voices as a literary mentorship program designed to launch potential professional writers from minority, immigrant and other underrepresented communities. The program has now evolved into an seven-month writing fellowship for writers who lack access to a traditional writing education and seek financial and creative support.

Here’s a note from one of the fellowship’s supporter, Jamie Wolf, supporter of the Emerging Voices Fellowship program:

“The Richard and Hinda Rosenthal Foundation was established in 1948 by my parents, a young businessman and his fashion-editor wife, who clearly had a great deal of confidence in their eventual financial success as well as a genuine desire to contribute to the world outside themselves. As my father formulated it in the beginning, ‘Individuals fortunate enough to receive unusual benefits from a society have the distinct obligation to return meaningful, tangible support to that society—in the form of creative energy as well as funding.’ What this has meant over the years is a pattern of rewarding excellence and accomplishment by giving awards in the fields of medicine, art and literature. In the last several decades, as the younger generation has begun to have more of a say, the goal has modulated into an emphasis on more directly encouraging excellence and accomplishment—by funding programs as well as awards, thus concentrating on setting up structures for achievement, and utilizing the multiplier effect.”

Support for the Emerging Voices Fellowship

PEN Center USA’s Emerging Voices Fellowship is generously supported by the Amazon Literary Partnership, California Arts Council, New Balloon and Catapult, Los Angeles County Arts Commission, The Ovation Foundation, and Pasadena Literary Alliance.


The 2019 Emerging Voices Application period will be open from May 1 to August 1, 2018.

Frequently Asked Questions

Do I need to live in the Los Angeles area to apply to the Emerging Voices Fellowship?
You must be a US citizen or have the correct documentation to apply to the Emerging Voices Fellowship. All fellows must live in Los Angeles or close enough to commute to Los Angeles for the duration of the program. No funds are available for relocation.

Are there any age restrictions?
The Emerging Voices Fellowship is open to all writers over the age of 21.

Can I submit work that has been previously published?
Yes, if you feel it is the work that best represents you as a writer.

Can you help me decide what work to submit as my writing sample?
No, although we do strongly encourage you to submit writing that corresponds to your genre and your project proposal. Please make full use of the 20 page submission limit for prose, but do not exceed 20 pages. This allows the selection committee to gain a better understanding of your project and how you and your work could benefit from the fellowship.

How should the manuscript be formatted?
Fiction and nonfiction manuscripts should be double-spaced, 12-point font, 1-inch margins all around. You may format poetry manuscripts however you feel best represents the poetry you are submitting, as long as you do not exceed the page limit and the typed font is legible. All pages must be numbered.

What does the selection committee look for in a manuscript?
A strong writing sample. The best advice we can give is to seek the advice of other writers and instructors when preparing your manuscript.

When are applicants notified of the committee's decision?
All applicants will be notified in late November.

Can you give me feedback on my manuscript or tell me why I wasn't selected for the fellowship?
We cannot provide any comments on manuscripts or on applications submitted.

On the short answer section of the Emerging Voices application, it states you may use up to 500 words for each answer. Does this mean 500 words for each answer or 500 words for all ten questions combined?
It states each response can be up to 500 words maximum. That means each response for each individual question may be up to 500 words, not 500 words for all ten responses.
I write screenplays/graphic novels/children's books. Am I eligible?
The accepted genres for the Emerging Voices Fellowship are fiction, creative nonfiction, and poetry. All classes, mentors, and programming for the fellowship are based on one of these three genres. Many alumni have gone on to pursue careers in graphic novels, performance art, and screenwriting, but concentrated on either prose or poetry for the duration of the fellowship.
If offered a place in the fellowship, may I defer acceptance for another year?
You may not defer acceptance.
If not awarded the fellowship, may I reapply?
If you are not awarded a fellowship, we encourage you to reapply if interested.

For more info, please contact ev@penusa.org.

Scholarship Opportunities

Bennington Writing Seminars Emerging Voices Scholarship

Bennington Writing Seminars, in partnership with the PEN Center USA Emerging Voices Fellowship, is pleased to announce a one-time creative writing MFA scholarship for Emerging Voices Fellows in 2018.

Founded in 1943, PEN Center USA is the third largest PEN Center in the world. It was incorporated as a nonprofit association in 1981. The Emerging Voices Fellowship is a literary mentorship that aims to provide new writers who are isolated from the literary establishment with the tools, skills, and knowledge they need to launch a professional writing career. The seven-month fellowship includes a professional mentorship, classes at UCLA Extension Writers’ Program, master classes, voice instruction classes, public readings, a volunteer opportunity, and a stipend.

Effective during the September 2017 admissions period for the January 2018 residency, Bennington will grant the scholarship amount of $10,000 across four terms ($2,500 a term) thanks to the January 2017 graduating class. If a candidate is not selected for January, the scholarship will be available for an Emerging Voices Fellow for the March 1, 2018 admissions period, with a June 2018 start date.

About Bennington Writing Seminars (Master of Fine Arts in Writing)
Bennington College was established in 1932 as a laboratory to explore new approaches in higher education. The college seeks to place students at the helm of their own education, to guide them in the direction of their greatest potential, and to expand and deepen their contribution to the world.

Bennington College’s Master of Fine Arts in Writing faculty are all writers who have distinguished themselves in their teaching as well as on the page. Their work has been given almost every literary honor—the National Book Critics Circle Award, the National Medal of Arts, the Rae Award, the PEN Award, the Walt Whitman Award, the O. Henry Prize, the Whiting Writer’s Award, and the LA Times Book Prize. Bennington Writing Seminars is one of the oldest and most highly regarded low-residency programs in the nation, consistently ranked in the top five by The Atlantic and Poets & Writers. Graduates have included Bret Easton Ellis, Cynthia D’Aprix Sweeney, Amy Gerstler, Libby Flores and Nathalie Handal.

Interested applicants should contact Amanda Fletcher

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